Toutes peintures ā l'huile d'Felicien Rops
ID Image Painting(From A to Z)    Details 
94249  
Felicien Rops, Frontispice des Diaboliques de Jules Barbey d'Aurevilly
  		 Frontispice des Diaboliques de Jules Barbey d'Aurevilly   1879 cjr
94252  
Felicien Rops, Human Pardon. The Hundert Unprententious Sketches to Cher Honest Pople
  		 Human Pardon. The Hundert Unprententious Sketches to Cher Honest Pople   1878-81 22 x 14,5 cm cjr
94251  
Felicien Rops, Illustration du livre d'Octave Uzanne, Son altesse la femme - Hors texte en face de la page 22.
  		 Illustration du livre d'Octave Uzanne, Son altesse la femme - Hors texte en face de la page 22.   1885 cjr
94250  
Felicien Rops, La Buveuse d'absinthe, Craie noire, aquarelle et gouache
  		 La Buveuse d'absinthe, Craie noire, aquarelle et gouache   1877 cjr
94248  
Felicien Rops, La tentation de Saint Antoine
  		 La tentation de Saint Antoine   1878 cjr
94244  
Felicien Rops, Pornocrates
  		 Pornocrates   70 x 45 cm English: 27 1/8 x 17 3/4 in 1896 cjr
94247  
Felicien Rops, Satan Sowing Seeds
  		 Satan Sowing Seeds   1882 cjr
23151  
Felicien Rops, The Beach (nn02)
  		 The Beach (nn02)   c 1878 Oil on canvas 16 1/8 x 23'' Royal Museums of Belgian Fine Arts Brussels
Felicien Rops
Belgian Symbolist Engraver, 1833-1898 was a Belgian artist, and printmaker in etching and aquatint. Rops was born in Namur in 1833, and was educated at the University of Brussels. Rops's forte was drawing more than painting in oils; he first won fame as a caricaturist. He met Charles Baudelaire towards the end of Baudelaire's life in 1864, and Baudelaire left an impression upon him that lasted until the end of his days. Rops created the frontispiece for Baudelaire's Les Épaves, a selection of poems from Les Fleurs du mal that had been censored in France, and which therefore were published in Belgium. Rops's association with Baudelaire and with the art he represented won his work the admiration of many other writers, including Theophile Gautier, Alfred de Musset, St phane Mallarm, Jules Barbey d'Aurevilly, and Josephin Peladan. He was closely associated with the literary movement of Symbolism and Decadence. Like the works of the authors whose poetry he illustrated, his work tends to mingle sex, death, and Satanic images.



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